Thursday, November 20, 2008

Devi's Zvex Fuzz Factory Story.


















Devi Ever of Effector 13 is selling her custom made Zvex fuzzfactory, the story goes a little deeper than that, its a little eerie actually. I figure this eBay auction is gonna be history in 2 days so I'll preserve the information here


This is the copy/pasted text from the auction.

"This is one of those pedals that has a great story behind it, if you are into guitar gear lore.So here we go.In 2001 I had off and on worked on a website known as the Guitar Pedal Archive, attempting to catalog all the guitar pedals of the world into an online database. A few years before that I had purchased my first boutique guitar pedal, the Zvex Fuzz Factory (around 1998... not the fuzz factory in this auction). At the same time I was attempting the archive I was also trying to start a band. I put an ad out in the paper looking for like minded musicians and got a response from a girl named Ashley and we quickly hit it off online.I was supposed to meet her on 9-11-01, and then of course... 9-11 happened, but I was determined to keep my life moving forward, even if the world was going to hell, so we agreed to still meet each other, and while everyone else in the world was freaking out, we were listening to each other's rock tracks.We fell in love, started a band, and in a few years, I got into the guitar pedal business building strange fuzz pedals (this was around 2003). Through out all this I had become a devote follower of the Harmony Central Effects Forum. Ashley hated all the time I spent on the boards, but I eventually convinced her to get involved, and eventually she did.Sometime around the starting of my pedal business, originally known as Effector 13 ( or before hand) Ashley and I had split up, but were still friends, and we tried to do music, but it just wasn't working out. During this time, while she became more involved with the boards, she began communicating with a mysterious online gentleman known as Zachary Vex.So, while I was beginning to build up a business that in some ways was inspired by the likes of Zvex... and while my friendship was slowly drifting apart from Ashley, she was drifting towards Zachary. :) So much so that she decided to move to Minneapolis to work for him, and they fell in love.She left, I moved on with my business, and in a few short years was doing fairly well for myself. Her and I continued to stay in touch... I was privy to things I never thought I'd be privy to, and a lot of drama went on that I'm not at liberty to divulge the details of. Suffice to say, in the end, Ashley ended up falling in love with Jason Myrold and they have been living happily ever after since.Sometime during her stay at Zvex effects, a girl by the name of Laura Bennett began painting alongside Jason Myrold, and I was enamored by her work. Since Ashley and I were on good terms I decided to ask for a favor and get a custom painted Fuzz Factory done by Laura Bennett, and there you have it... in 2005, two years after starting my own fx biz (and around 7 years since my first boutique pedal which was a Fuzz Factory), I got a groovy custom Zvex pedal. :)Of course the story doesn't stop there. For reasons I shall not go into, Laura eventually left Zvex effects, and I asked if she would paint for my company Effector 13. For a while she did (there are very few and rare LB painted E13 pedals out there!), but shortly there after things weren't working out, and she decided not to paint for me any longer. Now she is painting for Penny Pedals I believe.So... fast forward to 2006 or so, and things start shaking up over at Zvex. The business manager (Amada), painter (Jason Myrold), and Ashley all decide to leave Zvex, and Ooh La La Manufacturing was born. Still being on good terms with Ashley at the time, I was asked if I wanted to have this new company build any of my pedals, and of course I jumped at the opportunity, selling my business name "Effector 13", and four of my top selling design to them, which they continue to build and sell to this day.This ultimately end up being a boon for Zvex as much as it was for myself, because since Jason left, he's hired on an entire team of amazing artists and they are busting out some incredible custom pedals the likes of which the boutique world has never seen! :)Who'd of thought that the girl I met on 9-11-01, and the business I started in 2003 would ever have been involved on such a strange journey full circle and back again!So there you have it... a guitar pedal with more mojo than you could possibly imagine, tieing together the lives of quite a few key people in the boutique business and then some! A true collector's item if there ever was one in the guitar pedal biz, and I'm usually not one to flaunt such things, but you gotta admit, this pedal hass some powerful meaning (kind of literally) written all over it.I'm done being sentimental with gear I'm not using, so I'm letting this, and many other pieces of gear go out into the world! Check my other auctions for other interesting oddities! :)"


EDIT: and for the closing price??


no judgements...

Monday, November 10, 2008

Interesting use of a boss rc-2 loop station.

I was just browsing around pedalboards on the internet, and found this.



I don't think I've ever heard Scott Henderson's playing but I found this pic of his pedalboard off his official website.

Notice the disconnected pedal, the Boss RC-2 loop station. RC-2, a relatively new boss pedal, is a compact phrase recorder with 16 minutes(!) of recording time. Scott Henderson uses the RC-2 during soundcheck to listen to what he would sound like to the audience, tweaking the sounds from there. And then he doesnt use the looper at all during the performance. Brilliant!

I personally don't have much interest in digital looping but Henderson's use of RC-2 is a great example of how digital recording can be advantageous to tone perfectionists/experimentalists. It completely solves my problem where I want to tweak knobs to but at the same time keep strumming. Taking his idea, I put a sample pack on my iPod to test out gear. If you have an iPod and audacity:

1)get some digital recordings of what your guitar(s) sound like, just a few minutes of the kind of riffs that you play, recorded direct from the guitar. It will probably seem too quiet, but that is a good sign.
2) keep those recordings on a special album your Ipod. Don't be shy, keep the files quiet so guests wont turn it on at a party. You can patch the iPod into your pedal board or amp to soundcheck or dial in the proper settings on the confusing gear. You might even have the iPod on you when you want try out a distortion pedal and your guitar is at home. oh yeah and it would especially help at gig I suppose(not that I play em),

Friday, November 7, 2008

the Mellowtone Wolf Computer.


This pedal is getting some buzz lately, I don't know where to get one or how much it costs but there are plenty of youtube videos that demonstrate the amazingness. I was doubtful when someone told me it is better than zvex fuzz factory, but the videos show that pretty much , yes. It comes down to havign TWO crazy not-so-predictable control knobs, bias and sag, where as most crazy fuzz boxes only have one crazy knob. It really excels at those cheesy videogame sounds, where the attack of your guitar turns into simple octave-fifth variant arpeggios. I think the folks at Mellowtone have coined the phrase "motorboating," for a self oscillation setting where playing guitar sounds very similat to accelerating a motor boat; which is previously a totally undesirable tone but now that you call it motorboating... I want it!(?)

...oh and it can do tasteful/expected overdrive and fuzz sounds too.

mellowtone's official website

and some videos:

1 a pretty in depth demo of the wolf computer deluxe(same pedal, just has an extra booster at the end)... if you stay tuned for (or skip to) the end there is a bonus extra noise the pedal can make.


and then this video is kind of annoying how it is not a real video and actual settings are not shown, but it does have some more examples of sounds wolf computer can make

Thursday, November 6, 2008

those behringer copies

Cons:
-The buffered bypass has a noticeable high cut. It’s not a huge deal but then again it’s the first time I’ve actually noticed a buffer bypass on my tone. You’d think they would put an excitor in their lineup because you might need one using a couple of behringer stomps.
-The knobs feel bad. It will move around and remind you that you only paid $13 as you turn the knobs for a setting. It doesn’t affect the pedal’s sound but I would prefer a regular potentiometer and knob.
-No resale value. If you don't like it anymore get into circuit bending.
Pros:
the price. And it completely outweighs all the cons. Because of some legal issues, they couldn’t give the pedals the same names as the original products so I’ve done my best to clarify what each behringer pedal is supposed to be using the listings of http://behringer.com/ and http://bossarea.com/ and other sites with my own judgement

ULTRA OCTAVER UO300 & ULTRA OCTAVER UO100 – Boss OC-2 Octave w/ added range control.
ULTRA ACOUSTIC MODELER AM400 – Boss AC-3 Acoustic Simulator

BASS OVERDRIVE BOD400 & BASS OVERDRIVE BOD100 - Boss ODB-3 Bass OverDrive

BASS SYNTHESIZER BSY600- Boss SYB-3/5? Bass Synthesizer

CHORUS SPACE-D CD400- Boss DC-3 Digital Dimension

DIGITAL REVERB/DELAY DR400- Boss RV-3 Digital Reverb/Delay

DIGITAL REVERB DR600- Boss RV-5 Digital Reverb

DYNAMIC WAH DW400- Boss AW-3 Dynamic Wah

ECHO MACHINE EM600- Line 6 echo park?

DIGITAL DELAY DD600-DD-5 Digital Delay (doesn’t seem to be an exact copy)

FLANGER MACHINE FL600- line 6 Liquaflange

FILTER MACHINE FM600- line 6 otto filter

ROTARY MACHINE RM600 line 6 roto-machine

REVERB MACHINE RV600 - line 6 verbzilla

ULTRA METAL UM300 & ULTRA METAL UM100MT-2 Metal Zone

SUPER FLANGER SF400- Boss BF-3 Flanger

SUPER OCTAVER SO400- Boss OC-3 Super Octave

SUPER PHASE SHIFTER SP400- Boss PH-3 Phase Shifter

ULTRA SHIFTER/HARMONIST US600- Boss PS-5 Super Shifter(...wow)

ULTRA CHORUS UC200 & ULTRA CHORUS UC100 - Boss CH-1 SUPER Chorus

ULTRA VIBRATO UV300- Boss VB-2 Vibrato

ULTRA WAH UW300- Boss AW-2 Auto Wah

ULTRA FUZZ UZ400- Boss FZ-3 Fuzz

VINTAGE BASS VB1- EHX Bass Balls envelope filter


DISTORTION-X XD300- Boss XT-2 Xtortion

SLOW MOTION SM200- Boss SG-1 Slow Gear

ULTRA TREMOLO/PAN TP300 PN-2 Tremolo/Pan

SPECTRUM ENHANCER SE200SP-1 Spectrum, is not an enhancer(excitor) effect

SUPER FUZZ SF300FZ-2 HYPER Fuzz

PHASER PH9 mxr phase 90 (w switch for r28 mod?)

POWER OVERDRIVE PO300 PW-2 Power Driver(the one boss pedal to have dumb names for knobs)

DIGITAL MULTI-FX FX600 & DIGITAL MULTI-FX FX100-their own original idea. sounds crazy and very digital, the chorus is wild, id never use this but its cheap and weird.

HEAVY DISTORTION HD300- Boss MD-2 Mega Distortion

HI BAND FLANGER HF300- Boss HF-2 HiBand Flanger

SUPER METAL SM400 & HEAVY METAL HM300 these have to be boss hm-2 and hm-3 heavy metal pedals. I’m not sure which because they have similar controls. Id know if I could hear them both because HM-2 is a good sounding fuzz pedal and the HM-3 is like a mid scooped huge bass scratchy highend tone.

INTELLIGATE IG9- MXR smart gate

DIGITAL DELAY DD400 and DIGITAL DELAY DD100 -seems to be their update of a Boss DD3 digital delay adding more delay time)

ULTRA FEEDBACK/DISTORTION FD300- Boss DF-2 SUPER Feedbacker & Distortion

COMPRESSOR/LIMITER CL9. ? If it is supposed to be boss it is a boss cs-2, but the “9” makes me think it is supposed to be the ibanez 9series compressor

CHORUS ORCHESTRA CO600- Boss CE-5 Chorus Ensemble

DYNAMICS COMPRESSOR DC9 MXR dynacomp

ULTRA BASS FLANGER BUF300- Boss BF-2B Bass Flanger

CHORUS SPACE-C CC300- Boss DC-2 Dimension C

WARP DISTORTION WD300 Hughes and Kettner Warp Factor

VINTAGE DELAY VD400 WTF, is this supposed to be a boss analog delay? In high school I would've done anything for a dm-2/3 clone... kids have it so good these days.

VINTAGE TIME MACHINE VM1 EHX deluxe memory man

VINTAGE PHASER VP1 EHX small stone phasor

VINTAGE TUBE OVERDRIVE TO800 TUBE OVERDRIVE TO100- ibanez tubescreamer

BASS CHORUS BCH100- Boss CEB-3 Bass Chorus

BASS GRAPHIC EQUALIZER BEQ700 GEB-7 Bass Equalizer and NOT the GE-7B Bass Equalizer

BASS LIMITER ENHANCER BLE100 LMB-3 Bass Limiter Enhancer

BLUES OVERDRIVE BO100- Boss BD-2 Blues Driver

INSTRUMENT/AMP SELECTOR AB100 seems to be an original design. If you ask me, a cop out from the boss LS-2 line selector.

ACOUSTIC MODELER AM100- Boss AC-2 Acoustic Simulator

COMPRESSOR/SUSTAINER CS100- Boss CS-3 Compression Sustainer

DISTORTION MODELER DM100, it has modes for boss ds-1, mxr distortion plus, and proco rat, but I’ve heard it sounds like not really any of those.

DIGITAL REVERB DR100RV-5 Digital Reverb

GRAPHIC EQUALIZER EQ700 GE-7 Equalizer

NOISE REDUCER NR100 NS-2 Noise Suppressor

OVERDRIVE/DISTORTION OD100 OS-2 OverDrive/Distortion

HELLBABE HB01- dunlop crybaby from hell

VINTAGE DISTORTION VD1 EHX big muff pi

ULTRA DISTORTION UD100- Boss DS-2 TURBO Distortion

ULTRA FLANGER UF100- Boss BF-2 w/ some extra switch

ULTRA PHASE SHIFTER UP100- BOSS PH-2 SUPER Phaser w/level control

ULTRA TREMOLO UT100- Boss TR-2 Tremolo

all those pedals should sound comparable to the original products, save for different parts different bypass buffers, (and maybe different ADA converters for the digital pedals). So far, all the ones I've tried are close enough to the real thing.

and then I'm in the dark about what these pedals supposed to be, but they're also in the behringer line:

PREAMP/BOOSTER PB100??

VINTAGE TUBE OVERDRIVE VT911 realtube bluetube?

VINTAGE TUBE MONSTER VT999 ehx hot tubes? looks like an amazing pedal, the best one in the line. it even has a thick metal casing and real potentiometers, not to mention the actual tube distortion.

V-TONE GUITAR GDI21

V-TONE BASS BDI21

V-TONE ACOUSTIC ADI21

OVERDRIVE OD400?? could be a lot of things...

TUBE AMP MODELER TM300??

Wednesday, November 5, 2008

Devi Ever's DS-1 bend


I found this in the depths of devi ever's effector 13 website. It is just a bend for the ds-1 but can make tremolo sounds. I have a DS-1, I have a soldering iron. I'll post a review whenever I get around to it.